• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Sing Without Limits

Vocal Coaching

  • Home
  • Vocal Coaching
  • Vocal Health
  • About
    • Katti Power
    • Testimonials
  • Blog
  • Free Resources
  • Contact
  • Sign In

March 6, 2022 by [post_author_posts_link_outside_loop] Leave a Comment

How-To-(Not)-Sing-High-Notes-In-Chest-Voice

How To (Not) Sing High Notes In Chest Voice

“How to sing high notes in chest voice” might be one of my all-time favorite questions to answer because no one sees my answer coming. Are you ready for it? Here it is: you can’t. Or, actually, you shouldn’t sing high notes in chest voice.

The end. That’s it. Thanks for reading my blog.

JUST KIDDING! Well, not about my answer, I’m kidding about ending the blog post here. I know you well enough now to know you’re not going to be satisfied with my short and sweet answer, so I’ll explain myself. Besides, you might hate my little answer so much you go ask someone else and I at least want you to hear me out before doing so.

Why you can’t (shouldn’t) sing high notes in chest voice

I don’t want to sound like your mom when I tell you that you can’t sing high notes in chest voice, or even when I clarify that you shouldn’t. You have free will and it’s possible no one else but me is going to attempt to stop you. But I’m hopeful that even if my more than two decades of experience successfully working with singers on this very topic isn’t enough to convince you, that maybe my own personal experience of surviving vocal damage as a result of it might be enough to at least let you consider the alternatives.

I’m guessing you’re not a classical singer or you wouldn’t be asking this question. Classical singers aren’t attempting to sing high notes in chest voice because it’s perfectly acceptable to sing high notes in a head voice in classical music. So I’m going to assume you are a contemporary singer because I have only ever heard this question from contemporary singers.

In contemporary singing, listeners tend to prefer singing that is bigger and fuller like a chest voice. They also tend to really dislike the softer, lighter head voice sound. But here’s the other thing listeners of contemporary singing prefer: vowels they understand. Think about ANY opera song you’ve ever heard. Were you able to easily understand the lyrics? Probably not, and not even because it might’ve been in another language than your native tongue, but because the vowel shapes in classical singing are very distorted in order to create that sound. Now think about ANY contemporary song from ANY decade or genre. Would you say the vowels sound the same as the opera ones? I don’t even know why I’m asking because I already know your answer: nope.

So, it sounds like we can agree that there is a major difference between classical singing and contemporary singing, right? Excellent. So, the reason why singing high notes in chest voice can’t or shouldn’t happen is that the chest voice is designed for classical singing. Classical singing, whether in the chest or in the head, is characterized by a raised soft palate. This feels a lot like what it feels like to yawn. When this yawn space is created, the raised soft palate blocks off the passageway into the nose so no sound can escape there. This blockage is what creates the chest voice and the head voice and the break between them. It’s also what creates the distorted vowel shapes we described a minute ago.

So, the reason why singing high notes in chest voice can’t or shouldn’t happen is that the chest voice is designed for classical singing.

The chest voice isn’t designed to go higher than its break (which is the A above Middle C for women and the F# above Middle C for men). This doesn’t mean it CAN’T be stretched higher than the break – it CAN – it just means that if it is stretched higher than that, it puts a singer at risk for vocal damage. Think: losing your voice, raspiness, polyps on the cords, nodules, constant fatigue, and never knowing if your voice will be there for you or not.As I stated earlier, classical singers aren’t worried about this because it is customary, acceptable, and expected that the chest voice will switch into the head voice prior to reaching the break, and that is why they rarely experience any signs of vocal damage.

Contemporary singers, however, are often trained to sing contemporary music using classical technique, and absolutely no one wants to switch into a head voice when it gets too high. A lot of singing teachers lack the vocabulary and understanding of contemporary techniques – which have nothing to do with the chest voice, head voice, or the break in between – so they use the only tool they have: classical technique. And that causes lots of problems for singers trying to sing high notes in chest voice.

So what is the better alternative?

Instead of trying to sing high notes in chest voice as a contemporary singer, just wipe the chest voice out of your repertoire altogether and replace it with the contemporary technique “belt” which has zero limitations and can easily go high without causing any strain.

The belt technique not only is easier to sing as high as you want while still creating that full, powerful sound, it also has the more familiar vowel shapes like we hear on the radio or in regular conversation. Plus there’s no break to navigate and no fear of damaging your voice.

To learn how to belt, check out my free tutorial here:

Be sure to follow me on YouTube and TikTok for more helpful training like this!

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook

Related

Filed Under: Technique

Reader Interactions

Have a question or something to say? You'll hear back from me right away!Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Footer

Katti Power is bar-none, hands-down, one of the very best voice teachers out there. I’ve been singing for 23 years, and have had several teachers over the years, from NYC to LA. Many of my teachers have been good, but I learned more in one lesson with Katti than I did several months with other teachers.

Jennnifer B.
Singer & Actress

No joke, Katti Power is a complete and utter bad ass. She’ll turn you into one as well if you give her the chance.

Steve A.
Competitive Singer

I use to think my voice just couldn’t sing certain notes in certain ways, but that is completely false! I wish I had known these techniques back when I was struggling and performing every day. And knowing how to sing in my uncomfortable areas without hurting my voice is amazing. I feel like I could sing almost anything now!!

Garie Jean
Singer & Actress

Katti is an unforgettable voice instructor. I came to Katti when I was 18 years old because I wanted to improve my musical theatre sound. I had absolutely no clue how to belt before beginning [Unlimited Vocal Health™] and when I graduated from Circle in the Square Theatre School in New York City four years later, I was the top belter in my class. The more lessons I took the more my confidence as a singer and an all around performer grew.

Joanna
Actress

I’m so excited – I got the role I told you I was called back for (the initial audition consisted of a monologue and my singing “That’s Rich,” which I had worked with you in my VIP session)! Thank you so much, Katti, for your training! I’m thrilled, and will continue to make the efforts to sing without fear and apply the proper technique so I can sing without getting fatigued.

Nancy B.
Opera Singer & Actress

I had the honor of working with Katti right before the Talent Quest National Competition. In only a few short lessons she had me miles above where I started out. Her methods help you stretch your range while keeping your vocal health. She continuously helped me get better each time we met.

Kristen H.
Competitive Singer

I believe you can always improve your craft, so for the past few years I’ve been working with internationally acclaimed vocal teacher Katti Power.

Beth B.
2019 KWC World Champion

Thank you so much for believing in me and for helping me become who I am today… You changed my life Katti.

Mikko B.
2018 World Champion

[Katti] is the best singing coach I've ever had. I love working with her because she's so supportive, she has such a great ear, and she can get to the heart of any of my problems right away. She's positive, very knowledgeable, and most of all - one of the biggest reasons I would highly recommend Katti is that she's a great human being.

Mike J.
Singer & Actor

I’m most excited to know the difference between legit and belt voice and practice choosing how to sing and speak intentionally in a way that is healthiest for me.

Renana
Singer

I’m really not sure where I would be without you. You have given me such confidence in so many areas and have given me the skills to take my performing to the next level.

Julie R.
Actress & Singer

Now that I have had that hour session I know how to overcome my straining and relax my throat when singing up high. The way Katti teaches, the illustrations she gives, and the exercises she uses help me to understand in a way I’d never thought about before…Knowing how quickly she fixed my problem, I feel extremely confident that she would be able to help anyone else…

Jack S.
Singer

Katti is BRILLIANT!!! I never thought I would be able to belt, but I was definitely proven wrong! Thanks to my ONE LESSON with Katti I have just landed a role in “Shout! The Mod Musical” and will be healthily belting my face off!

Chelsea A.
Singer

I can sing higher again and I’m more confident in my belting abilities, as well as my breath support!

Nikki S.
WKT World Champion

Thank you, Katti. I’ve learned so much from you; no words can express my gratitude!

Alfreda
4th Place National Competitor

I’m singing songs I did not think I would ever be able to sing!

Kate
Singer

Katti…helped me realize that my voice will always be there, and I just need to trust that it knows what to do. The biggest change was our work with how forward my belt is going. I had learned how to do it before, but something wasn’t clicking for me to keep it forward. Katti listened to my fear about having true power in my voice and allowed me to have a safe place to start the work to let myself be heard. I ended up belting a note I had tried to… belt for 10 years!

Elyza B.
Actress

I feel like I finally learned the secret of singing I’ve been looking for all my life! I always felt like my teachers didn’t quite “get” my voice and there was something either I really wasn’t getting or they really were not teaching. Now I know what it is! Thank you Katti!!

Sheri P.
Singer
  • YouTube
  • Instagram
  • Facebook

Copyright © 2009–2025 Sing Without Limits